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Within the folders, the file naming conventions are inconsistent.
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Important tag information is in the directory name. It could all live in a single "notes" field.
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Then there can be additional notes separated by 1, 2, 3, 4, periods which usually refer to the provenance (equipment used, taper name, etc.) It is not critical that this "Notes" information be separated out into different tags. Those "source notes" usually start with one piece of important information: is it an audience microphone recording (aud) or a soundboard recording (sbd). Sometimes (rarely) the dates are not complete, like "gd80.05.xx.flac" (Unknown day in May, 1980) Source Notes: Soundboard recording (=sbd). Note: 89% of files are in that top folder, using the following directory naming convention: I've done a 'rough' job of then separating those folders into directories based on the directory naming convention. album) out of various sub-directories (E:\Grateful Dead\GD 78-85\1982) and loaded into the same root directory (E:\Grateful Dead) The first thing I did was to get each concert directory (i.e. To 'normalize' the filename, directory name, and tags in the collection so my player software (ROON, JRiver, etc.) can process and interpret the files consistently. My collection of live Grateful Dead music: As one might expect, it creates a huge opportunity for inconsistency in file structure, naming, and tagging. Those recordings have now, of course, been digitized and continue to be traded among fans. They permitted live recording and tape trading, which eventually proved to be a massive factor in driving their popularity. In their 30+ year career, the Grateful Dead played over 2,300 live concerts. I want to outline a massive project I am embarking upon.